[توتا 2007]

Italian painting is traditionally characterized by a warmth of colour and light, as exemplified in the works of Caravaggio and Titian, and a preoccupation with religious figures and motifs. Italian painting enjoyed preeminence in Europe for hundreds of years, from the Romanesque and Gothic periods, and through the Renaissance and Baroque periods, the latter two of which saw fruition in Italy. Notable artists whom fall within these periods include Michelangelo, Leonardo da Vinci, Donatello, Botticelli, Fra Angelico, Tintoretto, Caravaggio, Bernini, Titian and Raphael. Thereafter, Italy was to experience a continual subjection to foreign powers which caused a shift of focus to political matters, leading to its decline as the artistic authority in Europe. Not until 20th century Futurism, primarily through the works of Umberto Boccioni and Giacomo Balla, would Italy prove to recapture any of its former prestige as a seminal place of artistic evolution. Futurism was succeeded by the metaphysical paintings of Giorgio de Chirico, who exerted a strong influence on the Surrealists and generations of artists to follow.
With the basis of the modern Italian language established through the Florentine poet, Dante Alighieri, whose greatest work, the Divina Commedia, is considered amongst the foremost literary statements produced in Europe during the Middle Ages, there is no shortage of celebrated literary figures; the writers and poets Giovanni Boccaccio, Giacomo Leopardi, Alessandro Manzoni, Torquato Tasso, Ludovico Ariosto, and Petrarch, whose best known vehicle of expression, the sonnet, was invented in Italy. Prominent philosophers include Giordano Bruno, Marsilio Ficino, Niccolò Machiavelli, and Giambattista Vico. Modern literary figures and Nobel laureates are nationalist poet Giosuè Carducci in 1906, realist writer Grazia Deledda in 1926, modern theatre author Luigi Pirandello in 1936, poets Salvatore Quasimodo in 1959 and Eugenio Montale in 1975, satiryst and theatre author Dario Fo in 1997.
Luciano Pavarottiback to innovations of sixteenth and seventeenth century Italian music (such as the symphony, concerto, and sonata). Italy's most famous composers include the Renaissance composers Palestrina and Monteverdi, the Baroque composers Alessandro Scarlatti, Corelli and Vivaldi, the Classical composers Paganini and Rossini, and the Romantic composers Verdi and Puccini. Modern Italian composers such as Berio and Nono proved significant in the development of experimental and electronic music.
While the classical music tradition still holds strong in Italy, as evidenced by the fame of its innumerable opera houses, such as La Scala of Milan, and San Carlo of Naples, and performers such as the pianist Maurizio Pollini, and the late tenor Luciano Pavarotti, Italians have been no less appreciative of their thriving contemporary music scene. Introduced in the early 1920s, Jazz took a particularly strong foothold in Italy, and remained popular despite the anti-American cultural policies of the Fascist regime. Today, the most notable centers of Jazz music in Italy include Milan, Rome, and Sicily. Later, Italy was at the forefront of the progressive rock movement of the 1970s, with bands like PFM and Goblin. Today, Italian pop music is represented annually with the Sanremo Music Festival, which served as inspiration for the Eurovision song contest, and the Festival of Two Worlds in Spoleto. Singers such as the Grammy winner Laura Pausini, classical crossover artist Andrea Bocelli, and European chart topper Eros Ramazzotti have attained international acclaim.
The history of Italian cinema began a few months after the Lumière brothers began motion picture exhibition. The first Italian film was a few seconds long, showing Pope Leo XIII giving a blessing to the camera. The Italian film industry was born between 1903 and 1908 with three companies: the Roman Cines, the Ambrosio of Turin and the Itala Film. Other companies soon followed in Milan and in Naples. In a short time these first companies reached a fair producing quality and films were soon sold outside Italy too. The cinema was later used by Mussolini as a form of propaganda during World War II.
After the war, Italian film was widely recognised and exported until an artistic decline around 1980. World-famous Italian film directors from this period include Vittorio De Sica, Federico Fellini, Sergio Leone, Pier Paolo Pasolini, Michelangelo Antonioni and Dario Argento. Movies include world cinema treasures such as La dolce vita, Il buono, il brutto, il cattivo and Ladri di biciclette. In recent years, the Italian scene has received only occasional international attention, with movies like La vita è bella directed by Roberto Benigni and Il postino with Massimo Troisi.
Italian theatre can be traced back into the Roman which was heavily influenced by the Greek tradition, and, as with many other literary genres, Roman dramatists tended to adapt and translate from the Greek. For example, Seneca's Phaedra was based on that of Euripides, and many of the comedies of Plautus were direct translations of works by Menander. During the 16th century and on into the 18th century Commedia dell'arte was a form of improvisational theatre, although it is still performed today. Travelling troupes of players would set up an outdoor stage and provide amusement in the form of juggling, acrobatics, and, more typically, humorous plays based on a repertoire of established characters with a rough storyline, called Canovaccio.